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| 单元 I: 介绍 |
| 1-2 |
什么是文化呢？ 我们如何辨别美国戏剧中的文化及其体现呢？美国移民的历史传承和家族传统又是如何体现的呢? 本单元
将概要介绍剧院、运动、文化 多样性、和作品等方面的基本概念。 |
阅读
Schechner, Richard, ed. "What is Performance?" Performance Studies: An Introduction. New York: Routledge, 2003. pp. 1-21. ISBN: 0415146216.
观摩
Ethnic Notions by Marlon Riggs (1987). |
| 单元 II: 非洲裔美国人的戏剧传统 |
| 3-6 |
非裔美国人的戏剧传统是怎样的呢？音乐和舞蹈在非裔美国人舞台体验中的地位和作用如何？ 我们能以何
种方式来讲述非裔美国科学家和工程师的历史故事呢？ 这个单元中，我们会参加在“美国非裔:活着的历史”博物馆（African American Living
History Museum）的表演活动，描写美国非裔科技工程人员的生活。 |
阅读
Jones, Lisa. "Combination Skin." Contemporary Plays by Women of Color. Edited by Kathy Perkins and Roberta Uno, New York: Routledge, 1996. ISBN: 0415113784.
观摩
For Colored Girls who have Committed Suicide/When the Rainbow is Enuf by Ntozake Shange ([1976] New York: Simon and Shuster, 1997). |
| 单元 III: 亚裔美国人的戏剧传统 |
| 7-12 |
戏剧是如何体现亚裔美国人的文化传承的呢？ 散居的亚裔剧作家会选择什么样的故事去讲述？ 本单元讨论华裔
剧作家黄哲伦的话剧《蝴蝶君》（David Henry Hwang’s M. Butterfly）。 |
阅读
Son, Diana. "R.A.W." Contemporary Plays by Women of Color.
观摩
M. Butterfly by Hwang (1988, film, Cronenberg, 1993). |
| 单元 IV: 土著，拉丁裔，墨西哥裔美国人的戏剧传统 |
| 13-18 |
土著美国人如何在21世纪保持讲故事的传统？而在上个世纪，拉丁裔和墨西哥裔
美国人又是如何体现他们自己的戏剧传统呢？这个单元的讨论主题将集中在Miguel Piñero的戏剧作品上。 |
阅读
Gomez, Terry. "Intertribal." Contemporary Plays by Women of Color.
Theatre, Spiderwoman. "Sun Moon Feather." Contemporary Plays by Women of Color.
Agarin, Miguel, and Miguel Piñero, eds. "The Book of Genesis According to Saint Miguelito," "La Metadona Está Cabrona," "There is Nothing New in New York," "No Hay Nada Nuevo en Nueva York," "Runnin' Scared," "A Poem for Joey's Mami's Struggle," and "Seeking the Cause." In Nuyorican Poetry: An Anthology of Puerto Rican Words and Feelings. Edited by Miguel Algarín and Miguel Piñero, associate editor, Richard August; photographs by Gil Mendez, New York: William Morrow & Company, 1975. pp. 62-75. ISBN: 0688029671.
观摩
Piñero by Leon Ichaso (2001).
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| 单元 V: 超越不同 |
| 19-22 |
我们如何才能超越不同文化之间的壁垒，去探索独特的历史和戏剧方法呢？ |
阅读
Donkin, Ellen. "Black Text, White Director: Issues of Race and Gender in Directing African American Drama." Upstaging Big Daddy. Edited by Ellen Donkin and Susan Clement, Ann Arbor: U of Michigan Press, 1993. pp. 79-87. ISBN: 0472065033.
lê thi diem tháy. "The Bodies Between Us." The Color of Theater: Race,
Culture, and Contemporary Perofrmance. Edited by Roberta Uno. New York: Continuum International Publishing Group, 2002. pp. 322-343. ISBN: 0826456391.
观摩
Fires in the Mirror by Smith (1993). |
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